Creative Assembly‘s 2014 video game took inspiration (and original design documents) from Ridley Scott‘s 1979 “haunted house in space” horror. The result was a tense and claustrophobic experience that ...
Young Frankenstein is alive again, while a jet-black 1990s satire and a medieval epic arrive on Blu-ray. What are you watching this weekend?
A stray bull forces grape pickers into the trees in Marta Mateus’s poetic debut feature Fire of Wind. We caught up with the director ahead of its screening at the BFI London Film Festival.
Steve McQueen takes us inside his new film Blitz Inside: Sean Baker on Anora, and sex work at the movies – Pedro Almodóvar on The Room Next Door – No Other Land – The Apprentice – The Wild Robot – Jea ...
The events surrounding the Democratic Republic of Congo’s declaration of independence and the subsequent assassination of prime minister Patrice Lumumba are laid out with cool precision to a ...
Catherine Breillat’s Romance confronts sexual taboos and desire, explains Leslie Felperin, while Linda Ruth Williams interviews the director. From our October 1999 issue.
In the late 1940s and 50s, comedy horror was dominated by a series of films bringing Universal’s top-billing comedians Bud Abbott and Lou Costello into corny collision with various old-school ...
With his new film Abiding Nowhere screening at the BFI London Film Festival, we pick a beginner’s path through Tsai Ming-liang’s hypnotic cinema of loneliness and thwarted desire.
From Cat People to The Substance. How the depiction of monstrous women on screen has evolved and reflected society’s deeper fears about sexuality and the body.
Kieron Webb, Head of Conservation at the BFI National Archive, introduces our plan for a state-of-the-art heritage science laboratory – part of a major £80 million research and innovation investment ...
Swinton was joined on the 2024 BFI & CHANEL Filmmaker Awards jury by Edward Enninful OBE, Editorial Advisor, British Vogue and Global Creative and Cultural Advisor, Vogue, Marie-Louise Khondji, ...
Adam Driver teams with Francis Ford Coppola for a dazzling futuristic vision, while a Kurosawa classic returns. What are you watching this weekend?